vesica pisces ()

Birthplace of Triganometry

The Womb of the Universe

The Vesica Piscis is the intersection of Spirit and Matter, the Soul (psyche)

1)  In the earliest traditions, the supreme being was represented by a sphere, the symbol of a being with no beginning and no end, continually existing, perfectly formed and profoundly symmetrical.  The addition of a second sphere represented the expansion of unity into the duality of male and female, god and goddess. By overlapping, the two spheres, the god and goddess created a divine offspring.  The Vesica Pisces motif (and its derivatives, the Flower of Life, Tree of Life, and fundamentals of geometry) has a history of thousands of years and easily predates virtually all major religions of the current era.

2)  The son or daughter of the god and goddess is associated with the overlapping of the spheres -- the resulting three dimensional figure somewhat like an American football. [Sorry about that!]  In the case of Jesus Christ, the two dimensional figure has also served as a symbol for the miracle of the fishes.  (The “tail” also served to more easily identify the source of the plane figure.)  There is also conveyed the spiritual power originating from the interior of this symbol.

3)  Virtually every medieval church in Europe uses as a standard motif, the Vesica Pisces in two dimensions. The fact many of these churches were dedicated to the Virgin Mary or to Mary Madagalene (aka the goddess) is simply part of the understanding.  Several of the churches in northern France are even located in such a manner that their points of light recreate the “lights” of the constellation Virgo.  In Glastonbury, England, the site normally attributed to Avalon (the island of the Goddess), is also where the Chapel of St. Mary is located -- the latter which is apparently patterned with the use of the Vesica Pisces.

4)  The goddess of any and all religions which recognize her power and significance invariably use the Vesica Pisces to identify her.  From the overlapping pools of water and the chalice well cover in the goddess’s garden in Glastonbury (aka Avalon) to any number of representations of the Tree of Life, the goddess and her ability to create and birth life are celebrated.

5)Drunvalo Melchizedek, in his Flower of Life symbolism, uses the Vesica Pisces as well, and considers it the geometric image through which light was created. 

6)  The Tree of Life is shown in one of its many representations as the primary graphic of the home page of this website, and includes the Vesica Pisces (and Flower of Life) quite deliberately.  The ease with which the patterns fit make the inclusion a virtual automatic.  

 

7)  Robert Lawlor, in one of the best books available on Sacred Geometry [Thames and Hudson, 1982] notes that the Ö3 contained within the Vesica Pisces is “the formative power giving rise to the polygonal ‘world’.” 

http://www.halexandria.org/dward097.htm    
http://www.youtube.com/watch?v=zoMk0estzXc

http://www.toniallen.co.uk/vesica-pisces.htmlhttp://lifeintheshire.blogspot.com/2007_02_01_archive.html

perception+physiology

John Gage is an art historian and a Fellow of the British Academy, and his special subject is the meaning of colour. He was a keynote speaker at the Eleventh Congress of the International Colour Association held recently in Sydney, which ranged across everything from colour theory and psychology to colour physics and chemistry. John Gage is interested in our notions of good and bad colours -- and why, in certain cultures at certain times, some colours are preferred over others. listen

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